Mahabharata – The Rush of the Hero
Bhismadeva, also called Pitamaha – the patriarch, is an oxymoron between old age and his surprising agility and superhuman strength. Fate and code of honour had decided that he was to stand against the Pandavas. Even as he was fighting them in his heart he was on their side.
£ 165.00 – £ 755.00
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Mahabharata – Virat Roop
£ 1,200.00 BUYThis is the second time Krishna manifests the Virat Roop, but it is at the most important time in the Mahabharata. The Speech of the Bhagavad Gita, is the moment Krishna comes out from the role of Arjuna’s best friend and reveals Himself as the Supreme God Vishnu with all this expansions and that the circumstances of the war was pure illusion, Maya. Arjuna learned that his grief was useless, it was useless to lament. ”Just accept your duty and fight!”.
When Lord Krishna manifests His Universal Form, the world is no longer the same place, the dimensional planes are confused and one becomes lost in amazement. The secure perimeter of the frame contains and holds back the inconceivable universal form, soothing our fears and leaving us in awe.
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Mahabharata – The Young Hero
£ 150.00 – £ 665.00 BUYThe intense and poignant moment of the death of Abhimanyu. Enemies strongly desired his death and they killed him by deception and betrayal. Surrounded and pierced by innumerable arrows, Abhimanyu stoically fights to his last breath. The young hero’s expected and untimely death enhances his valiant glory.
The artist deliberately seeks to capture the adolescent prowess of the invincible Abhimanyu. Although the body is well shaped and toned, the proportions of the head are slightly larger compared to the body, not unlike the sculpture of David by Michelangelo, thus reflecting the typical physique of a young man not yet in his twenties.
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Mahabharata – In the Tent
£ 155.00 – £ 705.00 BUYThe composition and the distribution of the light recall the expressive language of the Italian Baroque period and the atmosphere is inspired by Caravaggio. The dramatic chiaroscuro charges with solemnity the tragic moment that heralds the death of Abhimanyu, the young champion of the Pandava army.
Coloured figurines of soldiers are deployed on the strategic plan, carefully studied by generals. The sharp dark and light enhances the concept that rationality in war has a very relative control over the outcome of the war, other qualities like wrath, courage, strength, resistance and hate contribute strongly to the fulfilment of the destiny. A dramatic sense of the game between karma – destiny – and free will permeate the scene.